Candide

• Candide is introduced as a simple and honest youth living in the Westphalian castle of the Baron of Thunder-ten-tronckh.
• The Baron’s social standing is established through humorous details about his castle’s windows and his wife’s substantial physical presence.
• Master Pangloss teaches the family that everything in existence is created for the best possible end within the best of all worlds.
• Pangloss illustrates his optimistic doctrine with absurd examples, such as the claim that noses were specifically designed for spectacles.
• After witnessing Pangloss in a private encounter with a maid, Miss Cunegund is inspired to pursue her own scientific interests with Candide.

She retired greatly flurried, quite pensive and filled with the desire of knowledge, imagining that she might be a sufficing reason for young Candide, and he for her.

• Cunegund and Candide attempt to experiment with cause and effect, leading to their discovery by the Baron.
• Candide is violently expelled from the castle, forcing him to face the brutal cold and hunger of the outside world.
• Two Prussian-style recruiters trick the naive Candide into joining the Bulgarian army by appealing to his height and character.
• By drinking a simple toast to the Bulgarian King, Candide unknowingly commits himself to military service and is immediately taken away in chains.

The Baron chanced to come by; he beheld the cause and effect, and, without hesitation, saluted Candide with some notable kicks on the breech and drove him out of doors.

• Candide is deceptively conscripted into the Bulgarian army after being tricked into drinking a toast to the king.
• He undergoes brutal military discipline, enduring frequent beatings that are satirically presented as the making of a hero.
• Believing in the innate human right to move freely, Candide is captured as a deserter and forced to choose between execution and a lethal gauntlet.
• The King of the Bulgarians grants Candide a pardon, recognizing him as an ignorant metaphysician rather than a criminal.
• A catastrophic battle ensues, resulting in the heroic butchery of thirty thousand men while both sides celebrate with religious hymns.
• Horrified by the carnage, Candide resolves to escape the war and seek logical answers for human suffering elsewhere.

Candide trembled like a philosopher, and concealed himself as well as he could during this heroic butchery.

• Candide witnesses the grotesque carnage and "heroic butchery" of a war between the Bulgarians and Abares that leaves thirty thousand dead.
• The text illustrates the horrific impact of war on civilian populations, including the systematic destruction of villages and the brutalization of the innocent.
• In Holland, Candide encounters religious hypocrisy when an orator preaching about charity refuses to help him because Candide remains neutral on the status of the Pope.
• The narrative satirizes philosophical optimism as Candide attempts to justify his starvation and misery as being part of a world "arranged for the best."
• Genuine humanity is finally found in James the Anabaptist, who provides Candide with food, money, and work without requiring theological conformity.

Candide trembled like a philosopher, and concealed himself as well as he could during this heroic butchery.

• James the Anabaptist rescues Candide from poverty and religious persecution, briefly validating Candide’s belief in a benevolent world.
• Candide discovers his old master Pangloss living as a diseased beggar, having lost his teeth and part of his nose to illness.
• Pangloss reveals the horrific fate of Cunegund and the Baron’s family, who were brutally slaughtered during a Bulgarian military raid.
• The philosopher explains that the destruction of the castle was part of a cycle of revenge between the Bulgarian and Abare armies.
• Despite his physical ruin and the death of his patrons, Pangloss ironically identifies 'love' as the primary cause of his misery.

No,” replied Pangloss, “her body was ripped open by the Bulgarian soldiers, after they had subjected her to as much cruelty as a damsel could survive.

• Pangloss reveals his horrific physical decay is the result of syphilis, which he poetically yet tragically attributes to the influence of love.
• Through a satirical genealogy, Pangloss traces the disease back to Christopher Columbus's voyage, claiming its presence is a necessary trade-off for global goods like chocolate.
• Pangloss argues that the disease is a 'necessary ingredient' in the best of worlds, even though it ravages armies and the source of human generation.
• James the Anabaptist demonstrates practical charity by funding Pangloss's cure, despite his skepticism regarding Pangloss's optimistic philosophy.
• As the group travels toward Lisbon, James observes that humans have deviated from their original innocence to invent tools of mutual destruction.

In her arms I tasted the pleasures of Paradise, which produced these Hell torments with which you see me devoured.

• James contests Pangloss's optimism, arguing that mankind has deviated from its original innocence through war and greed.
• A violent tempest wrecks the ship near Lisbon, and the noble Anabaptist James drowns while saving a malicious sailor.
• Pangloss prevents Candide from rescuing James by proving through a priori logic that the harbor was intended for his drowning.
• The surviving trio reaches Lisbon only to experience a horrific earthquake that destroys the city and kills thirty thousand people.
• Amidst the carnage, Pangloss is more concerned with the philosophical cause of the event than the human loss.

The sailor, whistling and swearing, cried, “Damn it, there’s something to be got here.”

• A massive earthquake destroys Lisbon, killing thirty thousand inhabitants and leaving the city in total ruin.
• A sailor shamelessly loots the wreckage and indulges in vices while ignoring the pleas of the dying.
• Pangloss refuses to provide immediate aid to a wounded Candide, choosing instead to lecture on the sufficient reason for the disaster.
• Pangloss's insistence that everything is for the best draws the suspicious attention of an officer from the Inquisition.
• The text satirizes the coldness of theoretical optimism when confronted with the horrific reality of natural disasters and human suffering.

The sailor, defying death in the pursuit of plunder, rushed into the midst of the ruin, where he found some money, with which he got drunk, and, after he had slept himself sober he purchased the favors of the first good–natured wench that came in his way, amidst the ruins of demolished houses and the groans of half–buried and expiring persons.

• Following the Lisbon earthquake, authorities conclude that the ceremonial burning of people is an infallible way to prevent future tremors.
• Pangloss is hanged and Candide is publicly flogged for their philosophical views during a ritual intended to appease the heavens.
• The absurdity of the ritual is exposed when a second earthquake occurs on the same day as the executions.
• A despairing Candide is rescued by a mysterious old woman who offers him food, shelter, and medical care.
• Voltaire satirizes the cruelty of the Inquisition and the logical fallacies used to justify human suffering.

If this is the best of all possible worlds, what are the others?

• An anonymous old woman provides meticulous care for Candide's wounds and ensures he is fed and rested.
• Candide is led through the countryside to a secluded, lavishly furnished apartment where he is left in a state of bewildered wonder.
• The old woman returns with a veiled lady who is revealed to be Miss Cunegund, whom Candide believed had been killed.
• Cunegund confirms the horrific reports of her assault and injury but notes that such 'accidents' do not always prove fatal.
• The reunited lovers begin to exchange their tales of woe, detailing the disasters they have faced since their separation.

“Indeed but they did,” replied Miss Cunegund; “but these two accidents do not always prove mortal.”

• Cunegund describes the traumatic destruction of her home and her survival of a violent assault during the Bulgarian invasion.
• She was kept as a prisoner of war by a captain who eventually sold her to Don Issachar, a wealthy merchant.
• The Grand Inquisitor forced a shared custody agreement for Cunegund by threatening the merchant with an auto-da-fe.
• Cunegund reveals the absurd schedule where the merchant and the Inquisitor split the days of the week for her company.
• The chapter satirizes religious and social institutions by depicting them as opportunistic and morally bankrupt entities.

A modest woman may be once ravished; but her virtue is greatly strengthened thereby.

• Cunegund details the precarious living arrangement where she is shared by the Grand Inquisitor and the merchant Don Issachar.
• The horrors of the auto-da-fe, where she saw her friends tortured, lead Cunegund to reject Pangloss's optimistic worldview.
• Cunegund recounts her traumatic history, including the murder of her family and her survival through various forms of servitude.
• The intimate reunion between Candide and Cunegund is shattered when Don Issachar discovers them together on his Sabbath visit.
• The typically gentle Candide is forced into violence, killing Don Issachar in a moment of desperate self-defense.

Pangloss deceived me most cruelly, in saying that everything is for the best.

• Candide impulsively kills both Don Issachar and the Grand Inquisitor to protect himself and Cunegund from legal discovery.
• Candide justifies his sudden transition to violence by citing the combined effects of love, jealousy, and his previous torture.
• The old woman orchestrates a swift midnight escape to Cadiz to avoid the authorities and the Holy Brotherhood.
• The narrative highlights religious hypocrisy by contrasting the Inquisitor's magnificent burial with the Jew's body being thrown on a dunghill.
• The trio's escape is hampered when Cunegund’s jewels and money are stolen, with suspicion falling on a Franciscan friar.

"Beautiful maiden," answered Candide, "when a man is in love, is jealous, and has been flogged by the Inquisition, he becomes lost to all reflection."

• Cunegund discovers her jewels and money have been stolen, leading the old woman to suspect a Franciscan monk who stayed at their inn.
• Candide ironically interprets the theft through Pangloss's philosophy, suggesting the monk merely exercised an equal right to common goods.
• To reach Cadiz, they sell their horse to a Benedictine friar and Candide gains a military commission to lead a company to Paraguay.
• On the ship, Candide and Cunegund hope the New World will be the place where everything is for the best, despite their previous traumas.
• The old woman dismisses Cunegund's complaints of misfortune, hinting that her own secret history of suffering is far more severe.

"Miss," replied the old woman, "you do not know my family as yet; but if I were to show you my posteriors, you would not talk in this manner, but suspend your judgment."

• The Old Woman reveals her high-born origins as the daughter of Pope Urban X and the Princess of Palestrina, contrasting her current misery with a youth of immense wealth and beauty.
• Her path to happiness was destroyed when her fiancé, a sovereign prince, was poisoned by a former mistress just before their wedding.
• During a voyage to escape her grief, her galley was overtaken by Moroccan pirates after the Pope's soldiers surrendered immediately to seek religious absolution.
• The captives were stripped and subjected to a humiliating physical search for hidden diamonds, a practice the narrator cynically notes is common among both pirates and religious knights.
• The narrator transitions from a life of extreme luxury and adoration to the harsh reality of being enslaved and transported to Morocco.

Our men defended themselves like true Pope’s soldiers; they flung themselves upon their knees, laid down their arms, and begged the corsair to give them absolution in articulo mortis.

• An Italian princess and her mother are captured by Moorish pirates and subjected to brutal treatment and the loss of their freedom.
• They arrive in a Morocco devastated by a bloody civil war between the fifty sons of the Emperor, resulting in constant ethnic and factional slaughter.
• A chaotic battle breaks out over the possession of the women, leading to the gruesome deaths of the narrator's mother and her entire social circle.
• The narrator highlights a sharp irony in the perpetrators' behavior, noting that they commit daily atrocities while never missing their five daily prayers.
• After surviving the massacre and being left for dead, the narrator encounters a fair-faced man speaking her native language.

I saw all our Italian women and my mother mangled and torn in pieces by the monsters who contended for them.

• The old woman encounters a Neapolitan eunuch who once served her mother and recognizes her from her childhood as a princess.
• Although the eunuch treats her with initial compassion, he ultimately betrays her by selling her to the Dey of Algiers.
• The old woman survives a plague outbreak that decimates the city and claims she finds the disease far more terrifying than an earthquake.
• She is repeatedly sold as a slave throughout the Mediterranean and Middle East, eventually becoming the property of a military officer.

You have seen an earthquake; but tell me, miss, have you ever had the plague?

• The narrator recounts her series of sales into slavery through the Ottoman Empire, ending in the middle of the violent siege of Azoff.
• To avoid starvation, soldiers are convinced by a religious figure to consume a single buttock from each woman in the seraglio.
• Despite the extreme mutilation, the survivors are rescued and treated by a surgeon who views the event as a standard law of war.
• The story concludes with a philosophical reflection on the absurdity of the human will to live despite overwhelming suffering and disgrace.

For what can be more absurd than to persist in carrying a burden of which we wish to be eased? to detest, and yet to strive to preserve our existence?

• The old woman concludes her tale by reflecting on the human instinct to preserve life even when it is a source of constant misery and detestation.
• She challenges Cunegund to find a single person on their voyage who has not frequently cursed their own existence and considered themselves wretched.
• Upon reaching Buenos Ayres, the group encounters the Governor, a man of such extreme pride and arrogance that he inspires immediate dislike in those he meets.
• The Governor is instantly captivated by Cunegund’s beauty, creating a potential conflict for Candide, who refuses to lie about their marital status due to his commitment to truth.
• Candide reflects on the absence of Pangloss, wishing the philosopher could explain the widespread suffering they observe while feeling newfound doubt toward Pangloss's optimistic teachings.

In a word, to caress the serpent that devours us, and hug him close to our bosom till he has gnawed into our hearts?

• Candide’s commitment to the truth prevents him from lying about his relationship with Cunegund, which allows the Governor to pursue her legally.
• The Governor of Buenos Aires offers Cunegund marriage, prompting the old woman to advise her to choose wealth and security over romantic constancy.
• Authorities arrive in Buenos Aires searching for the murderers of the Grand Inquisitor after a thief reveals the fugitives' trail.
• The old woman orchestrates a split, telling Cunegund to stay under the Governor’s protection while urging Candide to flee immediate execution.
• Candide escapes with his versatile new servant Cacambo, a resourceful man of mixed heritage who has held many diverse professions.

What business have you to pride yourself upon an unshaken constancy?

• Candide's new valet, Cacambo, is introduced as a loyal and resourceful man of mixed heritage who has held an eclectic variety of jobs across the globe.
• Driven by the need to flee the authorities, Cacambo convinces Candide to abandon his search for Cunegund and seek military fortune in Paraguay.
• The Jesuit government in Paraguay is portrayed as a paradoxical regime where the religious order holds absolute wealth and power over a moneyless populace.
• The narrative highlights the hypocrisy of the Jesuits who wage war against European kings in the colonies while acting as their spiritual confessors in Europe.

The fathers there are masters of everything, and the people have no money at all; this you must allow is the masterpiece of justice and reason.

• Candide and Cacambo are granted an audience with the Jesuit Commandant in Paraguay after being identified as Germans rather than Spaniards.
• The text highlights a sharp social contrast, depicting the Commandant dining in a luxurious pavilion while the native Paraguayans eat coarse corn in the sun.
• In a startling coincidence, the Commandant is revealed to be the son of the Baron of Thunder-ten-tronckh and the brother of Candide's beloved Cunegund.
• The two men share a tearful reunion, marveling at the strange circumstances that brought them from the wreckage of Westphalia to South America.
• Candide further shocks the Commandant by revealing that his sister Cunegund survived the Bulgarian attack and is currently in nearby Buenos Ayres.

I must confess this is a strange world we live in. O Pangloss! what joy would this have given you if you had not been hanged.

• The Baron recounts his miraculous survival following the Bulgarian attack, explaining how a Jesuit priest saved him and recruited him into the order.
• Having risen to the rank of colonel and priest in Paraguay, the Baron prepares to defend his territory against Spanish troops.
• The initial joy of the reunion turns to rage when Candide declares his intention to marry Cunegund, despite Candide's role as the Baron's deliverer.
• Obsessed with social hierarchy, the Baron refuses to allow a marriage to someone without the proper noble quarterings and strikes Candide.
• Candide kills the Baron in a moment of instinctual defense, immediately lamenting the irony of having killed three people, including two priests.

Candide in an instant drew his rapier and plunged it up to the hilt in the Jesuit’s body; but in pulling it out reeking hot, he burst into tears.

• After killing the Baron, Candide is overcome with guilt, lamenting his transition from the 'best man in the world' to a killer of three men, two of whom were priests.
• Cacambo orchestrates a daring escape by dressing Candide in the dead Baron's Jesuit robes, allowing them to pass the frontier undetected.
• Despite his deep existential despair and longing for Cunegund, Candide's physical appetite persists as he eats ham while contemplating his wretched life.
• Attempting a heroic rescue in a new land, Candide shoots two monkeys chasing two young women, expecting gratitude for his chivalry and marksmanship.
• Candide is shocked to discover that the women were not victims but were actually in a romantic relationship with the monkeys he just killed.

I am the best man in the world, and yet I have already killed three men, and of these three, two were priests.

• Candide discovers that the monkeys he killed were the beloved companions of the two women he thought he was rescuing.
• The local Oreillons capture the duo, intending to cook and consume them as a form of revenge against the Jesuits.
• Faced with death, Candide questions the optimism of his mentor Pangloss and the reality of 'pure nature.'
• Cacambo maintains his composure and attempts to save them by appealing to the tribe's logic and their shared hatred of the Jesuit order.
• Cacambo argues that Candide is an ally because he has recently killed a Jesuit rather than being a member of the order himself.

Everything is right; it may be so; but I must confess it is something hard to be bereft of dear Miss Cunegund, and to be spitted like a rabbit by these barbarous Oreillons.

• Cacambo successfully avoids a grisly death by convincing the Oreillons that Candide is an enemy of the Jesuits rather than a member of the order.
• Upon verifying that Candide killed a Jesuit officer, the Oreillons celebrate the pair and provide them with refreshments and safe passage to the frontier.
• Candide ironically muses on the excellence of 'pure nature,' noting that he only survived being eaten because he had murdered his beloved's brother.
• Facing starvation and insurmountable terrain after their horses die, the travelers decide to drift down an unknown river in an empty canoe in search of civilization.

If I had not fortunately run my sword up to the hilt in the body of Miss Cunegund’s brother, I should have certainly been eaten alive.

• Candide and Cacambo decide to escape their exhaustion by taking a canoe down a river, trusting in Providence to lead them to a new inhabited place.
• The journey involves a terrifying passage through a tunnel of rocks that destroys their boat but delivers them to a beautiful, cultivated plain.
• They observe a utopian society where citizens use red sheep for transport and children play with gold and emeralds as if they were worthless pebbles.
• A local schoolmaster dismisses Candide's attempt to return the precious stones, revealing a profound cultural contempt for material wealth.
• The travelers reach a grand house where they realize Cacambo’s native Peruvian language is spoken, finally allowing them to communicate with the locals.

The schoolmaster, with a smile, flung them upon the ground, then examining Candide from head to foot with an air of admiration, he turned his back and went on his way.

• Candide and Cacambo discover a village where the inns resemble palaces and the staff is dressed in cloth of gold.
• The travelers are served a lavish feast of exotic animals and liquors, served on rock-crystal dishes by polite government-funded staff.
• When they attempt to pay with large gold pieces found on the ground, the hosts laugh at them for offering 'common pebbles' as currency.
• The landlord explains that in this kingdom, all inns are maintained by the state for the convenience of commerce and travel.
• Candide begins to believe this hidden country is the one place on Earth where 'everything is right,' unlike his experiences in Westphalia.
• They visit a retired courtier living in a home made of silver and gold, which the inhabitants regard as a place of great simplicity.

Pardon us, therefore, for laughing when you offered us the common pebbles of our highways for payment of your reckoning.

• Candide and Cacambo visit a wise 172-year-old man living in a house of gold and jewels that is considered simple by local standards.
• The old man reveals that El Dorado is a remnant of the Incan empire that chose isolation to preserve its innocence and happiness.
• Geographical barriers protect the kingdom from the 'rapacious fury' of Europeans who value their common stones as precious wealth.
• The citizens practice a pure religion of gratitude, rejecting petitionary prayer because they lack nothing.
• The society functions without a professional clergy, avoiding the theological disputes and persecutions common in Europe.

“Do you take us for fools?” said the old man. “Here we are all of one opinion, and know not what you mean by your monks.”

• The old man explains that El Dorado is free from religious conflict and monks, prompting Candide to reject Pangloss's belief that Westphalia was the pinnacle of existence.
• The travelers are transported in a magnificent sheep-drawn coach to a palace featuring a portal built of materials far superior to gold and gems.
• El Dorado’s social customs prioritize equality and grace, requiring visitors to embrace the King rather than perform demeaning acts of prostration.
• The city lacks prisons and courts of law because there are no lawsuits, highlighting a society built on mutual agreement and scientific progress.

“Do you take us for fools?” said the old man. “Here we are all of one opinion, and know not what you mean by your monks.”

• Candide explores the Palace of Sciences, marvelling at the mathematical apparatus and the total absence of a judicial or carceral system.
• The King of El Dorado exhibits extraordinary wit and egalitarian hospitality, treating the travelers as social equals during their month-long stay.
• Candide and Cacambo decide to leave paradise, driven by a desire to be superior to others in Europe rather than merely happy in El Dorado.
• The King grants them leave, asserting that all men are free by nature, even though he views their decision to depart as a rash and silly action.
• A massive engineering project involving three thousand machinists is undertaken to construct a machine capable of lifting the travelers over the impenetrable mountains.

A fondness for roving, for making a figure in their own country, and for boasting of what they had seen in their travels, was so powerful in our two wanderers that they resolved to be no longer happy; and demanded permission of the King to quit the country.

• The King of Eldorado graciously provides a custom-built mechanical hoist to help Candide and Cacambo exit the isolated kingdom with a massive fortune.
• Intending to rescue Miss Cunegund, the travelers depart with over a hundred sheep laden with gold, diamonds, and precious stones.
• A hundred-day journey through deserts and morasses decimates their caravan, leaving them with only two sheep and a fraction of their original treasure.
• Arriving in Surinam, they encounter a Dutch-owned slave who has lost a hand and a leg to the industrial cruelty of the sugar works.
• The slave's harrowing testimony exposes the systemic exploitation and human misery required to provide luxury goods to the European market.

Both these cases have happened to me, and it is at this expense that you eat sugar in Europe

• Candide encounters a mutilated slave whose condition exposes the brutal human cost of the European sugar trade.
• The slave critiques the hypocrisy of religious figures who preach equality while presiding over horrific systemic abuse.
• Overwhelmed by the slave's suffering, Candide finally rejects Pangloss's philosophy of Optimism.
• Candide devises a plan to ransom Cunegund from the Governor of Buenos Ayres by sending the clever Cacambo with diamonds.
• While waiting in Surinam, Candide's wealth and honesty make him a target for greedy merchants and shipmasters.

Alas! I know not whether I have made their fortunes; but they have not made mine; dogs, monkeys, and parrots are a thousand times less wretched than I.

• Candide's lack of bargaining skills alerts a Dutch captain to his immense wealth, leading to blatant exploitation and price-gouging.
• The skipper, Mynheer Vanderdendur, eventually absconds with Candide's treasure-laden sheep, leaving him stranded and disillusioned.
• When Candide seeks legal redress, a corrupt magistrate fines him for his emotional outburst and charges him exorbitant court fees instead of providing justice.
• This cycle of betrayal and institutional corruption plunges Candide into a deep melancholy regarding the inherent deformity of human nature.
• In search of a traveling companion, Candide offers to pay for the most unfortunate person in the province, revealing a vast sea of human misery.

The magistrate began with fining him ten thousand piastres for his petulance, and then listened very patiently to what he had to say, promised to examine into the affair on the skipper’s return, and ordered him to pay ten thousand piastres more for the fees of the court.

• Candide seeks a travel companion by offering ten thousand piastres to the person who can prove they are the most unfortunate and dissatisfied in the province.
• An overwhelming number of candidates appear, each sharing tragic histories that challenge Candide's lingering belief in Pangloss's optimistic philosophy.
• He eventually selects Martin, a scholar whose life has been marked by family betrayal, financial ruin, and religious persecution.
• Despite his own losses, Candide remains more hopeful than Martin because of his remaining wealth and his enduring love for Cunegund.
• Martin identifies as a Manichaean, suggesting to Candide that the world is inherently governed by evil forces rather than being the best of all possible worlds.

“Surely the Devil must be in you,” said Candide.

• Martin identifies as a Manichaean, arguing that God has abandoned the world to a malignant being due to the pervasive cruelty and suffering he observes.
• He critiques human society, noting how classes, families, and nations are in constant conflict, with war acting as a sanctioned form of murder.
• The philosophers witness a naval battle in which a Dutch pirate ship is sunk, leading to the drowning of one hundred innocent people.
• Candide finds personal joy and a sense of justice when he recovers one of his stolen El Dorado sheep from the wreckage of the pirate's vessel.
• Martin challenges Candide's optimism by pointing out the injustice of the innocent passengers being destroyed alongside the villainous captain.
• The two men continue their debate for fourteen days, finding solace in the act of intellectual communication despite reaching no resolution.

God has punished the knave, and the Devil has drowned the rest.

• Martin argues that divine justice is often indiscriminate, noting that while a villain was punished by drowning, many innocent passengers perished alongside him.
• As they approach the coast, Martin provides a cynical critique of France, describing it as a chaotic land of fools, pickpockets, and people obsessed with love and slander.
• Despite the grim surroundings, Candide remains singularly focused on his quest to find Cunegund, using the recovery of his El Dorado sheep as a source of hope.
• The dialogue concludes with Martin's bleak philosophical assertion that humans are naturally predatory and unlikely to ever change their cruel instincts.
• Martin compares the historical consistency of human vice—including fraud, treachery, and cruelty—to the biological necessity of hawks eating pigeons.

Well then," replied Martin, "if hawks have always had the same nature, why should you pretend that mankind change theirs?

• Martin argues that human nature is as fixed and predatory as that of hawks, challenging Candide’s belief in free will and moral progress.
• The Academy of Sciences at Bordeaux satirically awards a prize for a nonsensical mathematical proof explaining the color of a red sheep.
• Upon arriving in Paris, Candide's immense wealth attracts a swarm of opportunistic doctors and fake friends who exploit his brief illness.
• A religious conflict ensues when a priest attempts to extort a spiritual 'note' for the afterlife from Candide, prompting a violent response from Martin.
• Candide is introduced to the Parisian social scene by a parasitic Abbe, where he is cheated at gambling but finds himself moved by the theater.

“Well then,” replied Martin, “if hawks have always had the same nature, why should you pretend that mankind change theirs?”

• Candide and Martin arrive in Paris and are quickly taken in by a fawning Abbe who introduces them to the local theater and social life.
• During a performance, Candide is moved to tears by the acting, only to be ridiculed by a cynical critic who disparages any work that achieves success.
• The Abbe explains the extreme rarity of quality in French theater, claiming that only a handful of plays out of thousands are actually worth watching.
• A stark social hypocrisy is revealed regarding the treatment of actresses, who are admired in life but denied proper burial and cast onto dunghills in death.
• Martin describes the French national character as one of total inconsistency, where people commit crimes and express deep-seated anger through a mask of laughter.

In Paris, they are treated with great respect during their lifetime, provided they are handsome, and when they die we throw their bodies upon a dunghill.

• The Abbe of Perigord disparages literary critics as failed writers who resemble eunuchs and nourish themselves on their own venom.
• Candide is introduced to the home of the Marchioness of Parolignac, which serves as a high-stakes gambling den for the Parisian elite.
• The atmosphere of the gambling party is one of grim silence and anxiety, where even children are taught to watch for cheating.
• Candide's nonchalance after losing a large sum of money leads the servants to believe he must be an English lord.
• The social gathering concludes with an elegant supper characterized by hollow jokes, scandal, and disdain for contemporary literature.

A profound silence reigned throughout the assembly, a pallid dread had taken possession of the countenances of the punters, and restless inquietude stretched every muscle of the face of him who kept the bank.

• Guests at a social gathering disparage contemporary literature, specifically mocking authors for their tediousness and unoriginality.
• A scholar provides a detailed critique of tragedy, explaining that true merit requires a deep knowledge of the human heart and a mastery of poetic language.
• The man of letters argues that most successful plays are actually mediocre, relying on 'pompous and high-flown amplification' rather than genuine substance.
• In a moment of irony, it is revealed that the insightful critic is himself a failed author whose tragedy was 'damned' and whose book never sold.
• Candide attempts to reconcile this intelligence with Pangloss's optimism, but the scholar counters that the world is fundamentally disordered and 'set the wrong end uppermost.'

“I, sir!” replied the man of letters, “I think no such thing, I assure you; I find that all in this world is set the wrong end uppermost.”

• A learned man rejects Candide's optimistic worldview, describing society as a chaotic scene of perpetual civil war and social rivalry.
• Martin challenges the notion that human suffering is a necessary shade in a divine plan, labeling such evils as horrible blemishes.
• A Parisian Marchioness seduces Candide through flattery and social pressure, successfully extorting two valuable diamonds during their brief encounter.
• Candide experiences a conflict between his lingering guilt over betraying Cunegund and his naive trust in the exploitative Abbé.

“Your hempen sage,” said Martin, “laughed at you; these shades, as you call them, are most horrible blemishes.”

• Candide naively confides his history and wealth to a manipulative abbe while discussing his devotion to Cunegund.
• The abbe orchestrates an elaborate fraud, using a forged letter to trick Candide into visiting an imposter claiming to be his ill beloved.
• In a darkened room, Candide's overwhelming grief leads him to shower the silent imposter with gold and diamonds without verifying her identity.
• The scheme is revealed as a trap when the abbe and an officer arrive to arrest Candide and Martin as suspected foreigners.
• Recognizing the local corruption, Martin realizes they have been swindled, prompting Candide to bribe his way out of an immediate prison sentence.

"Travelers are not treated in this manner in the country of El Dorado," said Candide.

• Candide discovers he has been swindled by the Abbe of Perigord and a fraudulent double of Miss Cunegund.
• He avoids arrest by bribing a law officer with three diamonds, demonstrating how wealth can instantly manufacture a reputation for honesty.
• The officer explains that France is under high security because religious and political stories have incited various citizens to commit parricide.
• Martin and Candide critique the absurdity of the Seven Years' War, noting that nations spend more on the conflict than the disputed Canadian territory is worth.
• As they head toward Portsmouth, Martin characterizes the English people as possessing a dark and gloomy disposition compared to the French.

Is there no flying this abominable country immediately, this execrable kingdom where monkeys provoke tigers?

• Candide observes the absurdity of England and France waging a costly war over a few acres of barren Canadian land.
• While at Portsmouth, he witnesses the cold-blooded execution of a British admiral on his own ship's deck.
• The execution is explained as a ritualistic necessity intended to 'encourage' other officers to be more aggressive in battle.
• Horrified by British brutality, Candide flees to Venice but finds no sign of his valet Cacambo or his beloved Cunegund.
• Martin continues to provide a pessimistic counterpoint, suggesting that Cacambo has likely absconded with Candide's fortune.
• Succumbing to deep melancholy, Candide begins to regret leaving the paradise of El Dorado for the misery of Europe.

In this country it is found requisite, now and then, to put an admiral to death, in order to encourage the others to fight.

• Martin challenges Candide’s hope, arguing that his valet Cacambo has likely absconded with his wealth and that human virtue is nearly non-existent.
• Seeking to prove Martin wrong, Candide identifies a seemingly joyous young friar and a girl, betting that they are genuinely happy.
• The woman is revealed to be Pacquette, who details her tragic life story starting from her role in infecting Dr. Pangloss with syphilis.
• Pacquette describes a cycle of abuse, detailing how she was exploited by a confessor, a violent surgeon, and a corrupt judge.
• The narrative suggests that even those who appear most vigorous and carefree are often victims of a cruel and exploitative social order.

Incensed at the behavior of his wife, he one day gave her so affectionate a remedy for a slight cold she had caught that she died in less than two hours in most dreadful convulsions.

• Paquette reveals her tragic history, including how she escaped a murderous physician only to be forced into a life of prostitution and abuse.
• Despite her public appearance of gaiety, Paquette describes the misery of her profession and the constant threat of poverty and ill-treatment.
• Friar Giroflee confesses his deep resentment for the monastic life, having been forced into the order solely to preserve his elder brother's inheritance.
• The Friar describes the monastery as a place of jealousy and discord, where he is robbed of his small earnings by his superiors.
• Candide attempts to buy happiness for the pair with large gifts of money, despite Martin’s cynical prediction that the wealth will only lead to more wretchedness.

I have been tempted a thousand times to set fire to the monastery and go and turn Turk.

• Candide hopes that reuniting with old acquaintances signals he will find Cunegund, though Martin remains deeply skeptical of such luck.
• Martin observes that misery is a universal constant, asserting that even the most seemingly happy individuals face hidden chagrins.
• The travelers visit Senator Pococurante, a wealthy man whose refined lifestyle and extensive art collection are meant to represent peak happiness.
• Pococurante reveals himself to be profoundly bored, critiquing high art and fine music as tiresome burdens rather than sources of joy.

I have what is called a fine collection, but I take no manner of delight in it.

• Lord Pococurante argues that modern music and opera have become tedious exercises in technical difficulty rather than genuine entertainment.
• He rejects the traditional reverence for Homer, labeling the epic poems as insipid, repetitive, and essentially useless antiques kept only for curiosity.
• The senator dissects Virgil’s Aeneid, dismissing its characters as flat and disagreeable while expressing a slight preference for Tasso or Ariosto.
• Despite finding some utility in Horace’s maxims, Pococurante remains largely unimpressed by the poet's personal vanity and low subject matter.

Music has become the art of executing what is difficult; now, whatever is difficult cannot be long pleasing.

• Senator Pococurante rejects the prestige of classical authors like Horace and Cicero, insisting that one should read only for personal pleasure rather than academic reputation.
• He dismisses thousands of scientific memoirs and dramatic plays as useless rubbish that lacks both practical application and genuine artistic merit.
• While praising the freedom of the English nation, the senator laments that their literature is often compromised by the destructive spirit of political party.
• The senator delivers a scathing condemnation of John Milton’s Paradise Lost, viewing it as a tedious and barbaric work that offends his sense of delicacy.

Throughout Italy we write only what we do not think; and the present inhabitants of the country of the Caesars and Antonines dare not acquire a single idea without the permission of a Dominican father.

• Lord Pococurante expresses deep disdain for Milton’s Paradise Lost, dismissing it as an obscene and disagreeable work that lacks true delicacy.
• Candide mistakes the nobleman’s constant dissatisfaction for a sign of superior genius, believing that being above everything is the ultimate form of happiness.
• Martin argues that Pococurante’s inability to find pleasure is a defect rather than a virtue, comparing him to a person with a sickly stomach that rejects all food.
• The travelers are unexpectedly reunited with Cacambo, who appears as a slave and informs Candide that Cunegund is now in Constantinople.
• Despite the joy of finding his friend, Candide is urged to maintain secrecy and wait until after supper to learn more about Cacambo’s current master.

“That is,” replied Martin, “there is a pleasure in having no pleasure.”

• Candide unexpectedly reunites with his servant Cacambo in Venice, only to discover that his friend is now enslaved.
• While dining during the Carnival, Candide and Martin find themselves sharing a table with six mysterious strangers who are addressed as kings by their servants.
• The strangers reveal their identities as deposed monarchs from across Europe and the Ottoman Empire, all seeking refuge in Venice's anonymity.
• The stories of the kings highlight a spectrum of political misfortune, ranging from imprisonment in childhood to losing thousands of supporters in bloody rebellions.
• The precarious nature of royalty is emphasized by the final monarch, whose servant abandons him because they both face imminent imprisonment for debt.
• Despite his own trials, Candide is struck by the surreal irony of six former sovereigns dining together in various states of ruin and exile.

Troth, sir, they will trust Your Majesty no longer, nor myself neither; and we may both of us chance to be sent to jail this very night; and therefore I shall take care of myself, and so adieu.

• A group of six dethroned monarchs gathers at an inn in Venice during the Carnival to share their stories of political downfall and personal misfortune.
• Theodore, the elected King of Corsica, describes his extreme poverty, having fallen from a throne to a common jail in London.
• Candide surprises the fallen rulers by donating a diamond worth a hundred times their collective charity, raising questions about his identity.
• The arrival of four additional deposed Serene Highnesses further underscores the instability of royal power and the frequency of political upheaval.
• Reunited with his faithful valet Cacambo, Candide departs for Constantinople, insisting to Martin that Pangloss's optimistic philosophy remains correct.

I was once seated on a throne, and since that have lain upon a truss of straw, in a common jail in London, and I very much fear I shall meet with the same fate here in Venice, where I came, like Your Majesties, to divert myself at the Carnival.

• Candide reunites with his valet Cacambo, only to discover that Cunegund has lost her beauty and is now a slave.
• Cacambo explains that the fortune Candide sent was lost to the corruption of a governor and the violence of pirates.
• Candide remains committed to rescuing Cunegund, asserting that his honor obliges him to love her regardless of her appearance.
• Martin challenges the group's perspective, suggesting that the world is filled with millions whose suffering exceeds that of kings.
• On a galley ship, Candide identifies two miserable slaves who remarkably resemble the supposedly deceased Pangloss and the Baron.

Miss Cunegund washes dishes on the banks of the Propontis, in the house of a prince who has very few to wash.

• Candide identifies two disfigured galley slaves as his former mentor Pangloss and the Baron, both of whom he believed were dead.
• The Turkish captain demands a ransom of fifty thousand sequins, recognizing the high status of his prisoners once their identities are revealed.
• Candide quickly sells a diamond for half its worth to secure the funds, highlighting his desperation and the predatory nature of the merchant.
• The Baron remains haughty despite his rescue, while Pangloss expresses profound gratitude for his deliverance from slavery.
• The group learns that Miss Cunegund is alive but living in degradation as a scullery maid for a Transylvanian prince.

Is this My Lord the Baron, whom I killed? and that my master Pangloss, whom I saw hanged before my face?

• The Baron recounts surviving Candide's sword wound and his subsequent imprisonment in Buenos Ayres before becoming a chaplain in Constantinople.
• A cultural misunderstanding during a bath resulted in the Baron being sentenced to one hundred blows and sent to the galleys.
• Pangloss reveals he survived his hanging because a wet rope prevented the noose from tightening, leading a surgeon to mistake him for dead.
• Pangloss was inadvertently revived by the surgeon’s first incision, causing the terrified doctor to flee and allowing Pangloss to be rescued.
• Both characters describe the absurd sequence of events and service roles that ultimately reunited them with Candide in Turkey.

The executioner was a subdeacon, and knew how to burn people very well, but as for hanging, he was a novice at it, being quite out of practice; the cord being wet, and not slipping properly, the noose did not join.

• Pangloss recounts how a small act of courtesy in a mosque led to his arrest and sentencing to the galleys alongside the Baron.
• Despite his immense suffering, Pangloss admits he maintains his optimistic philosophy primarily because as a professional philosopher he cannot publicly retract his views.
• Upon finding Cunegund, Candide is horrified to discover that her trials have left her physically withered, ugly, and unrecognizable.
• Though Candide’s romantic feelings have faded, he feels obligated to marry Cunegund because she insists upon the fulfillment of his previous promise.
• The Baron remains inflexibly proud and forbids Candide from marrying his sister because Candide lacks the necessary noble rank to join their family.

Even the tender Candide, that affectionate lover, upon seeing his fair Cunegund all sunburned, with bleary eyes, a withered neck, wrinkled face and arms, all covered with a red scurf, started back with horror.

• Despite Candide's sacrifices, the Baron remains stubbornly opposed to his sister marrying someone of lower social rank.
• The group decides to rid themselves of the Baron's pride by tricking him and sending him back to Rome.
• The long-awaited peaceful life on a small farm proves to be miserable, as the characters face poverty, physical decay, and constant bickering.
• Martin observes that humans seem destined to live either in the convulsions of distress or in the lethargy of boredom.
• The old woman poses a profound question: whether the acute horrors of their past are worse than the soul-crushing tedium of their present existence.

I would be glad to know which is worst, to be ravished a hundred times by Negro pirates, to have one buttock cut off, to run the gauntlet among the Bulgarians... or to remain here doing nothing?

• The old woman poses a philosophical dilemma: is it worse to suffer extreme physical agony or to endure the crushing boredom of idleness?
• Martin concludes that humanity is doomed to fluctuate between the extremes of active misery and the lethargy of doing nothing.
• The arrival of Pacquette and Brother Giroflee confirms that wealth failed to provide them with lasting peace or happiness.
• A famous dervish rejects their questions about evil and purpose, suggesting that the divine is indifferent to human suffering.
• The group learns of violent political executions in the city, underscoring the lethal risks associated with power and public status.

When His Highness sends a ship to Egypt does he trouble his head whether the rats in the vessel are at their ease or not?

• Candide and his companions meet an old Turk who remains indifferent to the political violence of Constantinople by focusing on his personal labor.
• The old man teaches that honest work protects humans from the three great evils of idleness, vice, and want.
• The group abandons high-minded philosophical debates to pursue practical tasks, finding humble fulfillment in crafts like baking, sewing, and carpentry.
• Despite Pangloss's continued attempts to rationalize their past misery as part of a perfect plan, Candide insists on the practical necessity of maintaining their world.

“Excellently observed,” answered Candide; “but let us cultivate our garden.”

• Pangloss recounts the long string of misfortunes Candide faced, including the Inquisition and the loss of his El Dorado sheep.
• The philosopher argues that these hardships were necessary components of a causal chain leading to their current state.
• Candide finally moves beyond philosophical debate by prioritizing practical action over metaphysical rationalization.
• The narrative concludes with the group settled in a modest existence, eating simple foods like citrons and pistachio nuts.
• The final sentiment suggests that human happiness is best found through focused work and the maintenance of one's own immediate environment.

“Excellently observed,” answered Candide; “but let us cultivate our garden.”